Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
axanar [2016/02/20 15:30] – [Lawsuit Impact] Carlos Pedraza | axanar [2021/07/28 16:09] (current) – [Production] added hyperlink Carlos Pedraza | ||
---|---|---|---|
Line 1: | Line 1: | ||
+ | {{:: | ||
====== Axanar (Film) ====== | ====== Axanar (Film) ====== | ||
+ | {{TOC}} | ||
// | // | ||
<WRAP center round info> | <WRAP center round info> | ||
- | **Which Axanar Do We Mean?** \\ | + | <wrap lo>**Which Axanar Do We Mean?** \\ |
- | Throughout the **AxaMonitor** site, the term ' | + | Throughout the **AxaMonitor** site, the term ' |
</ | </ | ||
Line 10: | Line 12: | ||
//Axanar// is the story of Garth of Izar (introduced in the Star Trek episode, “Whom Gods Destroy”), | //Axanar// is the story of Garth of Izar (introduced in the Star Trek episode, “Whom Gods Destroy”), | ||
- | Peters recruited a team of experienced filmmakers, many from Hollywood, to first produce a short film as a proof of concept. That movie, //Prelude to Axanar//, sparked worldwide attention that led to multiple [[crowdfunding platforms|crowdfunding campaigns]] that raised about half the $2 million budget estimated for production of the feature-length //Axanar.// | + | Peters recruited a team of experienced filmmakers, many from Hollywood, to first produce a short film as a proof of concept. That movie, //[[Prelude to Axanar]]//, sparked worldwide attention that led to multiple [[crowdfunding platforms|crowdfunding campaigns]] that raised about half the $2 million budget estimated for production of the feature-length |
+ | > In deference to CBS, we have removed the Star Trek branding from our website. and our Facebook page. … We think at this point Axanar has its own brand and we don’t need to use the Star Trek name. We are cognizant that we are using CBS’ intellectual property and we wish to minimize the use of that IP in our film and in our overall production.(([[http:// | ||
+ | |||
+ | Co-producer Terry McIntosh added the production took the action without prompting from CBS: | ||
+ | |||
+ | > CBS did *NOT* contact us regarding the name, or anything else for that matter. … This was a preemptive decision due to things to come that we haven’t yet made public. Nothing more, nothing less.(([[http:// | ||
==== Plot ==== | ==== Plot ==== | ||
[{{ :: | [{{ :: | ||
Line 32: | Line 39: | ||
{!stub: | {!stub: | ||
+ | |||
+ | ==== Budget ==== | ||
+ | |||
+ | <wrap lo>See also: // | ||
===== Lawsuit Impact ===== | ===== Lawsuit Impact ===== | ||
+ | {{page> | ||
+ | |||
+ | Prior to the lawsuit' | ||
+ | |||
+ | ===== ===== | ||
+ | |||
+ | ==== Changed Production Status ==== | ||
+ | According to IMDb Pro, the lawsuit appears to have affected the film's production status. Their [[motion to dismiss]] explains that the formerly locked script is being rewritten in light of the copyright infringement claims detailed in the legal complaint. Here is IMDb Pro's chart showing the history of status changes for the film: | ||
+ | |||
+ | {{ : | ||
+ | <WRAP centeralign> | ||
+ | **IMDb Production Status**(([[https:// | ||
+ | </ | ||
+ | |||
+ | ^ Status ^ Date Changed ^ IMDb Details ^ Correlates With…< | ||
+ | | Pre-Prod† | Oct 30, 2013 | | | | ||
+ | | | Jul 2, 2014 | | <wrap lo>// | ||
+ | | Development Unknown* | Jan 8, 2015 | | | | ||
+ | | Pre-Prod† | Mar 16, 2015 | We shoot in May/June. | <wrap lo> | ||
+ | | | Sep 16, 2015 | | <wrap lo>Tony Todd left cast Sep 1.</ | ||
+ | | Development Unknown* | Mar 18, 2016 | | <wrap lo>CBS, Paramount filed amended lawsuit Mar. 11.</ | ||
+ | |||
+ | <WRAP box> | ||
+ | <wrap lo>† // | ||
+ | * // | ||
+ | § These notes are annotations from the [[timeline|Axanar Timeline]], not part of the IMDb data.</ | ||
+ | </ | ||
+ | |||
+ | === In Development === | ||
+ | {{ : | ||
+ | IMDb notes that there are several ways to define the stage of development a project is in. They are: | ||
+ | |||
+ | ^ Pitch | An idea for an upcoming project that has been presented and sold to a production company, which agrees to develop it. | | ||
+ | ^ Optioned Property | A piece of literary work (book, short story, play, news article, etc.) where the exclusive rights to purchase the property are currently held by a production entity for consideration to develop into a feature length film or television project for a defined period of time. | | ||
+ | ^ Treatment/ | ||
+ | ^ Script | Completed, copy written manuscript, which has been picked up by a production entity for development. A script may take the form of a screenplay, shooting script, lined script, continuity script, or a spec script. | | ||
+ | ^ Turnaround | A project, which was previously picked up by a production entity, but has been dropped and is currently in a state of limbo allowing the producers to set up the project with another studio. | | ||
+ | ^ <wrap em> | ||
- | Prior to the lawsuit' | + | ---- |
+ | ==== Injunction ==== | ||
- | The lawsuit | + | The lawsuit |
---- | ---- | ||
**Keywords** | **Keywords** | ||
{{tag> | {{tag> |