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endgame [2016/04/14 14:11] – [Endgame] Carlos Pedraza | endgame [2018/03/09 14:19] (current) – [Speaking Out] format fix Carlos Pedraza | ||
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{{TOC}} | {{TOC}} | ||
====== Endgame ====== | ====== Endgame ====== | ||
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+ | <wrap lo>//See also: [[endgame_2|Endgame II: The Settlement]]//</ | ||
A Hollywood producer, friend and associate of // | A Hollywood producer, friend and associate of // | ||
- | Lukas Kendall, who worked on Burnett' | + | Lukas Kendall worked on Burnett' |
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+ | He posted a [[http:// | ||
[{{ :: | [{{ :: | ||
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- Refund donors' | - Refund donors' | ||
- | He also notes that CBS would insist on a third condition: That Alec Peters " | + | He also believes |
That would include Peters' | That would include Peters' | ||
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Kendall called for public pressure to get " | Kendall called for public pressure to get " | ||
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+ | [{{ : | ||
===== Aftermath ===== | ===== Aftermath ===== | ||
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An end to the lawsuit leaves some hanging threads however, which Kendall addresses: | An end to the lawsuit leaves some hanging threads however, which Kendall addresses: | ||
- | [{{ : | ||
==== Disappointed Donors ==== | ==== Disappointed Donors ==== | ||
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{{ : | {{ : | ||
- | The assets Axanar built out in its leased warehouse, which it refers to as [[Ares Studios]] are currently up for sale to [[investor_group|secret private investor group]]. This poses a problem even if the lawsuit ends, Kendall noted: | + | The assets Axanar built out in its leased warehouse, which it refers to as [[Ares Studios]] are currently up for sale to a [[investor_group|secret private investor group]]. This poses a problem even if the lawsuit ends, Kendall noted: |
> That [sound] stage has a significant “burn rate” that will exhaust the donor money and get Axanar evicted—unless Axanar leases it for commercial use. Both options are problematic. The stage cannot be liquidated (dismantled) in order to repay the donors, but clearly somebody—be it the landlord or the next tenant—is going to benefit from the donors’ largesse.(([[http:// | > That [sound] stage has a significant “burn rate” that will exhaust the donor money and get Axanar evicted—unless Axanar leases it for commercial use. Both options are problematic. The stage cannot be liquidated (dismantled) in order to repay the donors, but clearly somebody—be it the landlord or the next tenant—is going to benefit from the donors’ largesse.(([[http:// | ||
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Finally, he explained his reason for speaking out: | Finally, he explained his reason for speaking out: | ||
- | > As much as I love hate-watching Axanar, I empathize with all the people being hurt by this fiasco: Primarily, the Star Trek fans who gave their money. But there are also the makers of the other fan films (now in jeopardy), the CBS executives dealing with this shit (better people than anybody realizes), and even the John Does at Axanar who just wanted to make a Star Trek film. //This needs to end//. | + | > As much as I love hate-watching Axanar, I empathize with all the people being hurt by this fiasco: Primarily, the Star Trek fans who gave their money. But there are also the makers of the other fan films (now in jeopardy), the CBS executives dealing with this shit (better people than anybody realizes), and even the John Does at Axanar who just wanted to make a Star Trek film. \\ \\ //This needs to end//. |
<WRAP round info> | <WRAP round info> | ||
- | **[[imdb> | + | <wrap lo>**[[imdb> |
+ | |||
+ | His Star Trek credentials include producing most of the recent collector’s edition soundtrack CDs, including the 15-disc La-La Land Records TOS box set. He also assisted with the publication of " | ||
</ | </ | ||