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hunt_resigns [2017/11/04 14:23] – [No Word] Carlos Pedraza | hunt_resigns [2018/05/02 12:24] (current) – [No Word] Carlos Pedraza | ||
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===== Hunt's Critique of Peters ===== | ===== Hunt's Critique of Peters ===== | ||
- | Hunt's departure caps a troubled position he held in the Axanar project. In his deposition | + | Hunt's departure caps a troubled position he held in the Axanar project. In his deposition |
> Everybody on the production who was creative was falling into those traditional film roles, and [Peters] wasn’t familiar with how that process worked. … It was just – <wrap hi>Alec didn’t really know what a film producer</ | > Everybody on the production who was creative was falling into those traditional film roles, and [Peters] wasn’t familiar with how that process worked. … It was just – <wrap hi>Alec didn’t really know what a film producer</ | ||
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==== Fraught with Conflict ==== | ==== Fraught with Conflict ==== | ||
- | In his deposition, Hunt described a script development process fraught with conflict between Peters and Burnett, with Hunt caught in the middle. Hunt said: | + | In his deposition, Hunt described a script development process fraught with conflict between Peters and Burnett, with Hunt often caught in the middle. Hunt said: |
> So we were talking to [Peters] about, “Listen, this is how the process works. The script isn’t ready.” Mostly, I think it was Rob and Alec having these conversations, | > So we were talking to [Peters] about, “Listen, this is how the process works. The script isn’t ready.” Mostly, I think it was Rob and Alec having these conversations, | ||
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==== Reason for Resignation ==== | ==== Reason for Resignation ==== | ||
- | Hunt said his work was confined to revising the original //Axanar// feature script. His resignation statement discussed no involvement in the 30-minute script, only in preparing the original feature-length screenplay as one of Axanar' | + | Hunt said his work was confined to revising the original //Axanar// feature script. His resignation statement discussed no involvement in the 30-minute script, only in preparing the original feature-length screenplay as one of Axanar' |
> The result was a finished [feature] script I’m very proud of and that we all hoped to bring to the screen for the donors and fans. However, when it became clear that this would not happen, and that the project was moving in a different direction, I ultimately decided that there was little more for me to contribute.(([[face> | > The result was a finished [feature] script I’m very proud of and that we all hoped to bring to the screen for the donors and fans. However, when it became clear that this would not happen, and that the project was moving in a different direction, I ultimately decided that there was little more for me to contribute.(([[face> | ||
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==== No Word ==== | ==== No Word ==== | ||
- | Meanwhile, that was news Peters did not see fit to share. He chose instead to create the impression Hunt was still on board. | + | Meanwhile, that was news Peters did not see fit to share for months. He chose instead to create the impression Hunt was still on board. |
=== 'Not Important' | === 'Not Important' | ||
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Hunt, however, chafed under Peters' | Hunt, however, chafed under Peters' | ||
- | > I would take a bit of issue on the matter of importance. On a traditional professional production, writers "come and go" as part of a work for hire situation. That was not the case here, which means I retain a portion of ownership of the drafts I produced.(([[face> | + | > I would take a bit of issue on the matter of importance. On a traditional professional production, writers "come and go" as part of a work for hire situation. That was not the case here, which means I retain a portion of ownership of the drafts I produced.(([[face> |
=== 'Looks Really Bad' === | === 'Looks Really Bad' === | ||
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- | **Keywords** {{tag> | + | **Keywords** {{tag> |