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peters_second_life [2016/10/03 01:06] – [Future Projects] Edit to tighten Carlos Pedrazapeters_second_life [2016/11/30 06:24] – [Fair Use] grammar fix Carlos Pedraza
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 [{{ :mt-seleya-amended.jpg?300|**COPIED ELEMENTS** CBS and Paramount's legal complaint contains 28 pages of allegations of specific copyrighted Star Trek elements Axanar is alleged to have infringed upon, including parts of the planet Vulcan.}}] [{{ :mt-seleya-amended.jpg?300|**COPIED ELEMENTS** CBS and Paramount's legal complaint contains 28 pages of allegations of specific copyrighted Star Trek elements Axanar is alleged to have infringed upon, including parts of the planet Vulcan.}}]
  
-  - What is purpose and character of the use, including whether the use is of a commercial nature or of nonprofit or educational purposes. +  - What is purpose and character of the use, including whether the use is of a commercial nature or of nonprofit or educational purposes? 
-  - What is the nature of the use, such as whether it is transformative, like parody or scholarship. +  - What is the nature of the use, such as whether it is transformative, like parody or scholarship? 
-  - What amount of the original work used. Peters claimed Axanar "uses a very, very tiny portion of the copyrighted work of Star Trek." +  - What amount of the original work used? Peters claimed Axanar "uses a very, very tiny portion of the copyrighted work of Star Trek." 
-  - What is the effect of the use on the potential market for or value of the copyrighted work.+  - What is the effect of the use on the potential market for or value of the copyrighted work?
  
 Of the four factors, Peters assessed Axanar against only the third, stating Axanar infringed upon only a "tiny portion" of Star Trek, a claim disputed by the legal complaint against Peters. And he avoided any discussion of the fourth factor — commercial impact — an area in which many legal observers believe Axanar's [[copyright_infringement#legal_consensus|case is the weakest]]. Of the four factors, Peters assessed Axanar against only the third, stating Axanar infringed upon only a "tiny portion" of Star Trek, a claim disputed by the legal complaint against Peters. And he avoided any discussion of the fourth factor — commercial impact — an area in which many legal observers believe Axanar's [[copyright_infringement#legal_consensus|case is the weakest]].
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 Peters described how he cast so many well-known scifi actors in //Prelude to Axanar//, starting with Richard Hatch (//Battlestar Galactica//), who is Peters' acting coach. Hatch introduced him to J.G. Hertzler (//Star Trek: Deep Space Nine//), whom Peters described as "an easy get." Successful meetings later brought Kate Vernon (//Battlestar Galactica//) and Tony Todd (//Star Trek: Deep Space Nine//) aboard.  Peters described how he cast so many well-known scifi actors in //Prelude to Axanar//, starting with Richard Hatch (//Battlestar Galactica//), who is Peters' acting coach. Hatch introduced him to J.G. Hertzler (//Star Trek: Deep Space Nine//), whom Peters described as "an easy get." Successful meetings later brought Kate Vernon (//Battlestar Galactica//) and Tony Todd (//Star Trek: Deep Space Nine//) aboard. 
  
-Todd, of course, [[tony_todd|dropped the project]] a year before amid public concerns about Peters production delays and' lack of accountability for his $1.1 million crowdfunded budget.+Todd, of course, [[tony_todd|dropped the project]] a year before amid public concerns about Peters' production delays and lack of accountability for his $1.1 million crowdfunded budget.
  
 ===== Future Projects ===== ===== Future Projects =====