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which_kobayashi_maru [2016/04/12 12:10] – Carlos Pedraza | which_kobayashi_maru [Unknown date] (current) – external edit (Unknown date) 127.0.0.1 | ||
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For Paramount (don't forget CBS, Reece!), protecting their billion-dollar Star Trek property is worth that outlay. Axanar' | For Paramount (don't forget CBS, Reece!), protecting their billion-dollar Star Trek property is worth that outlay. Axanar' | ||
- | This is all, of course, in a world at which Axanar is not at its center. But let's travel back to that world of fantasy to consider Watkins' | + | This is all, of course, in a world in which Axanar is not at its center. But let's travel back to that world of fantasy to consider Watkins' |
==== Paramount' | ==== Paramount' | ||
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> That’s not all Paramount has to worry about. … There is still a huge amount of money at risk for the film studio, namely in the form of the upcoming “Star Trek Beyond” film. With a budget well into nine figures, the slightest whiff of bad publicity could easily reduce the opening weekend box office for their summer blockbuster by more than they could hope to be awarded in damages, even if Axanar Productions did have millions to pay out. | > That’s not all Paramount has to worry about. … There is still a huge amount of money at risk for the film studio, namely in the form of the upcoming “Star Trek Beyond” film. With a budget well into nine figures, the slightest whiff of bad publicity could easily reduce the opening weekend box office for their summer blockbuster by more than they could hope to be awarded in damages, even if Axanar Productions did have millions to pay out. | ||
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=== Bad Publicity === | === Bad Publicity === | ||
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=== Media Narrative === | === Media Narrative === | ||
- | In this world, the real world, most people don't give a hoot about a fan film accused of wholesale copyright infringement, | + | In this world, the real world, most people don't give a hoot about a fan film accused of wholesale copyright infringement, |
Most of the audience Paramount hopes to attract to //Star Trek Beyond// have no interest in a story about nerds arguing about whether you can get sued for saying // | Most of the audience Paramount hopes to attract to //Star Trek Beyond// have no interest in a story about nerds arguing about whether you can get sued for saying // | ||
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Assuming every single one boycotts //Beyond//, that won't make even a dent in the audience numbers. //Star Trek Beyond// will rise or fall on its own merits, not the imaginary market power of a fringe group of fans, many of whom never liked the rebooted Trek anyway. | Assuming every single one boycotts //Beyond//, that won't make even a dent in the audience numbers. //Star Trek Beyond// will rise or fall on its own merits, not the imaginary market power of a fringe group of fans, many of whom never liked the rebooted Trek anyway. | ||
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==== ' | ==== ' | ||
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The character being tested is the one that when suddenly faced with a lawsuit about his singular misuse of intellectual property he does not own began calling his production just a fan film like all the others, and kicked out anyone who dared to question the party line in its Facebook groups, often maligning their character, swearing at them and calling them names. | The character being tested is the one that when suddenly faced with a lawsuit about his singular misuse of intellectual property he does not own began calling his production just a fan film like all the others, and kicked out anyone who dared to question the party line in its Facebook groups, often maligning their character, swearing at them and calling them names. | ||
- | That's the Kobayashi Maru test Alec Peters and Axanar face in the real world. | + | That's the Kobayashi Maru test Alec Peters and Axanar face in the real world. |
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**Keywords** {{tag> | **Keywords** {{tag> |