CBS Studios Inc., formally CBS Studios International, is one of the two named plaintiffs in the legal complaint against Alec Peters and Axanar Productions, producers of the short Star Trek film, Prelude to Axanar and the feature Axanar, formerly Star Trek: Axanar.

CBS is the copyright owner of the Star Trek brand, entitling it to production of television series based on those copyrights, while Paramount Pictures holds the exclusive license for production of Star Trek motion pictures.

While CBS certainly has its own in-house counsel, it and Paramount are being represented by the law firm, Loeb & Loeb, whose attorney, Jonathan Zavin, is leading the case against Axanar.

CBS Studios International was once CBS Paramount International Television, and is a multinational television production and distribution arm of CBS Television Studios. All are owned by the CBS Corporation, formed in 2004 by Viacom as CBS Paramount International Television, a result of a merger between two television companies, CBS Broadcast International and Paramount International Television. Since September 26, 2006, the company is part of the CBS Television Distribution Group.

At Star Trek’s creation, Norway Productions, Roddenberry’s production company, shared ownership with Desilu Productions and, after Gulf+Western acquired Desilu in 1967, also with Paramount Pictures, the conglomerate’s film studio. Paramount did not want to own the unsuccessful show; net profit was to be shared between Norway, Desilu/Paramount, star William Shatner, and the NBC television network.

However, Star Trek lost money, and the studio did not expect to syndicate it. In 1970, Paramount offered to sell all rights to Star Trek to Roddenberry, but he could not afford the $150,000 price ($914,000 in 2007 dollars).

CBS PLANS to revive Star Trek as a television series on its online streaming service, CBS All Access, starting in 2017.

In 1989, Gulf+Western renamed itself Paramount Communications, and in 1994 merged with Viacom. In 2005, Viacom divided into CBS Corporation, whose CBS Television Studios subsidiary retained the Star Trek brand, and Viacom, whose Paramount Pictures subsidiary retained the Star Trek film library and rights to make additional films, along with video distribution rights to the TV series on behalf of CBS.

CBS is producing a new Star Trek series, set to debut on the CBS broadcast network in 2017, and continuing exclusively on its video-streaming platform, CBS All Access.¹⁾ CBS recently announced noted producer Bryan Fuller (Hannibal, Pushing Daisies, Star Trek: Deep Space Nine and Star Trek: Voyager) would lead the series as the show runner,²⁾ followed by news that veteran writer-producer Nicholas Meyer (Star Trek II: The Wrath of Khan) was also joining the writing staff of the new series.³⁾

See also: CBS Officials

NEW VOYAGES Production still from the most prominent of the fan productions, Star Trek: New Voyages, which re-creates the setting and characters of the 1960s series.

CBS has a long but unofficial relationship with fans who have produced their own Star Trek-based video series and films. Entertainment attorney Mary Ellen Tomazic calls fan productions’ traditionally non-commercial copyright infringement “tolerated use”:

[Such use] is allowed by the rights holder despite knowing someone is infringing on their work. The understanding of fan film makers is that under these unwritten rules they cannot profit from their fan film in any way, and it must remain noncommercial (i.e., not for sale) and noncompetitive with the original work.⁴⁾

From humble beginnings at the turn of the century of productions like Star Trek: Hidden Frontier, which shot more than 50 episodes against a green screen in a fan’s spare bedroom, modern Star Trek fan films, such as Star Trek: New Voyages, Star Trek Continues and Star Trek: Renegades, have advanced to soundstages with physical sets, full-blown CGI special effects and professional actors (many from the several official Star Trek TV series).

SHUT DOWN A $250,000 crowdfunding campaign was canceled by producers of Star Trek–Horizon‘s sequel following a “strong suggestion” by CBS officials.

The advent of crowdfunding platforms such as Kickstarter and Indiegogo transformed these home-grown, largely self-financed productions into something substantially different, raising hundreds of thousands of dollars, but Axanar outpaced them all, becoming the first fan production to exceed a million dollars in crowdfunding.⁵⁾

On April 21, 2016, CBS advised Tommy Kraft, the producer of well-received Star Trek–Horizon, to cancel his planned $250,000 Kickstarter campaign for a sequel, Federation Rising — the advice stemming from the lawsuit against Axanar, with more fan films on a list to be similarly suspended.⁶⁾

The move has been interpreted to presage a halt on crowdfunding by Star Trek fan films, on account of the Axanar case.

Axanar producer Peters emerged from a face-to-face meeting with CBS licensing personnel in August 2015 saying:

“CBS has a long history of accepting fan films. I think ‘Axanar’ has become so popular that CBS realizes that we’re just making their brand that much better.”⁷⁾

CBS has never officially sanctioned fan films, understanding that doing so could compromise control over their own intellectual property. It characterized that August 2015 meeting with Peters differently, telling The Wrap:

“CBS has not authorized, sanctioned or licensed this project in any way, and this has been communicated to those involved. We continue to object to professional commercial ventures trading off our property rights and are considering further options to protect these rights.”⁸⁾ [emphasis added]

CBS and Paramount filed suit just four months later.

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